{"id":12509,"date":"2020-05-25T14:02:19","date_gmt":"2020-05-25T13:02:19","guid":{"rendered":"https:\/\/ericbourdon.fr\/art\/?p=12509"},"modified":"2022-09-15T21:19:39","modified_gmt":"2022-09-15T20:19:39","slug":"william-vicats-achetant-poivriere-luxe-eric-bourdon","status":"publish","type":"post","link":"https:\/\/ericbourdon.fr\/art\/2020\/05\/25\/william-vicats-achetant-poivriere-luxe-eric-bourdon\/","title":{"rendered":"William Vicats achetant une poivri\u00e8re de luxe"},"content":{"rendered":"\n
\"William<\/a><\/div>
\n\n\n\n

Zoom sur la peinture<\/a><\/p>\n\n\n\n


William Vicats achetant \u00e0 bon prix
une poivri\u00e8re de luxe en ciment n\u00e9palais<\/em>
(Titre complet)

Peinture acrylique originale sur toile de lin
Dimensions du tableau : 73 x 60 cm

\u00a9 Galerie du peintre Eric Bourdon<\/a>
Lille, 2020<\/p>\n\n\n\n



     La poivri\u00e8re de luxe de William Vicats n’est bien \u00e9videmment que le paradigme de l’esth\u00e9tique contemporaine rapport\u00e9e \u00e0 la subtile expression de son \u00e9tranget\u00e9 contextuelle post-moderne. Que William Vicats l’ach\u00e8te, sa poivri\u00e8re de luxe, \u00e0 bon prix ou \u00e0 prix d’or, peu nous importe, pourvu qu’il l’ach\u00e8te : c’est le gage de sa valeur en tant qu’objet-ph\u00e9nom\u00e8ne face \u00e0 l’investigation critique de la conscience de l’\u00eatre-l\u00e0.

<\/p>\n\n\n\n\n\n\n\n


     Car en fait, une poivri\u00e8re de luxe en ciment n\u00e9palais, qu’est-ce donc ? Pour le commun il ne s’agit que d’un vulgaire ustensile de table. La tr\u00e8s implicite dimension d’une quelconque transcendentalit\u00e9 herm\u00e9neutique lui \u00e9chappe enti\u00e8rement, sa conscience n’y percevant qu’une occasion triviale d’\u00e9ternuements incontr\u00f4l\u00e9s. L’esth\u00e8te au contraire y devine le parfum poivr\u00e9 d’un horizon anthropologique marqu\u00e9 par la fusion surprenante mais harmonieuse de la “science du beau” et des principes ontopoi\u00e9tiques du go\u00fbt tels que d\u00e9finis par la doctrine \u00e9clectique de l’\u00e9cole des th\u00e9oriciens luxembourgeois du XVII\u00e8me si\u00e8cle.<\/p>

\n\n\n\n

\"william<\/div>\n\n\n\n


William Aspdin (1815-1864)
Inventeur anglais du ciment artificiel moderne “Portland”
Aussi largement connu comme
“un escroc et un ind\u00e9crottable menteur”<\/em><\/p>
\n\n\n\n


     Le ciment n\u00e9palais n’est pas l\u00e0 par hasard. Il a bien \u00e9videmment une fonction r\u00e9flexive. Le ciment est comme chacun le sait ce liant \u00e9patant et pratique formant avec l\u2019eau une p\u00e2te homog\u00e8ne et plastique capable d\u2019agglom\u00e9rer en durcissant des substances vari\u00e9es dites “agr\u00e9gats” ou “granulats” et d’agr\u00e9ger ainsi du sable fin ou des graviers, pour produire du mortier ou du b\u00e9ton. Mais au N\u00e9pal, le ciment de pi\u00e8tre qualit\u00e9 n’offre qu’une r\u00e9sistance de fa\u00e7ade aux s\u00e9ismes fr\u00e9quents en raison de la subduction de la plaque indienne sous la plaque eurasiatique (\u00e0 l’origine de l’\u00e9l\u00e9vation de l’orog\u00e8ne Himalaya).<\/p>\n\n\n\n


     Comment ne pas y percevoir alors une ironique r\u00e9sonance avec l’inaptitude ontologique contemporaine \u00e0 modeler notre position existentielle \u00e0 l’aide de jugements de valeur solides \u00e9non\u00e7ant de fa\u00e7on certaine les normes g\u00e9n\u00e9rales du beau, lorsque le sol m\u00eame des valeurs objectives platoniciennes, plotiniennes voire schopenhau\u00e9riennes, se d\u00e9robent toutes ensemble sous nos pieds sous l’influence corrosive, notamment, de l’impitoyable critique nietzsch\u00e9enne ?…<\/p>

\n\n\n\n

\"raymond<\/div>\n\n\n\n


Raymond Farmer (9 ans) et son raton laveur de compagnie
(Freeport, Ohio, USA. Date inconnue)<\/em><\/p>
\n\n\n\n


     Il est bien dit que William Vicats ach\u00e8tera finalement son ciment n\u00e9palais, mais \u00e0 bon prix et sous la forme d’une proivri\u00e8re de luxe qui questionnera intelligemment la d\u00e9finition de l’utile et du beau dans une perspective convexe \u00e9pousant \u00e9l\u00e9gamment les th\u00e9ories de Ferdinand de Saussure et du structuralisme tardif.<\/p>\n\n\n\n


     Acheter ou ne pas acheter ? William Vicats a pris sa d\u00e9cision. Quant \u00e0 nous, la conclusion la plus s\u00fbre \u00e0 laquelle nous pourrons aboutir est que si nous savons suspendre la pseudo \u00e9vidence de l\u2019objectivit\u00e9 de la poivri\u00e8re de luxe en ciment n\u00e9palais qui nous fait ignorer les formes de notre perception, nous d\u00e9couvrirons que les poivri\u00e8res ne nous sont jamais donn\u00e9es dans notre exp\u00e9rience sensible comme des objets d’achat ou de non-achat fig\u00e9s que nos sensations (ou celles de William Vicats) appr\u00e9henderaient dans leur totalit\u00e9 objective illusoire.<\/p>

\n\n\n\n

\"william<\/div>

\n\n\n\n




\"english   William Vicats buying a luxury pepper pot<\/a><\/div>


\n","protected":false},"excerpt":{"rendered":"

Zoom sur la peinture William Vicats achetant \u00e0 bon prixune poivri\u00e8re de luxe en ciment n\u00e9palais(Titre complet) Peinture acrylique originale sur toile de linDimensions du tableau : 73 x 60 cm \u00a9 Galerie du peintre Eric BourdonLille, 2020      La poivri\u00e8re de luxe de William Vicats n’est bien \u00e9videmment que le paradigme de l’esth\u00e9tique contemporaine rapport\u00e9e […]<\/p>\n","protected":false},"author":67,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[146,277],"tags":[],"class_list":["post-12509","post","type-post","status-publish","format-standard","hentry","category-analyses","category-peinture-acrylique"],"yoast_head":"\nWilliam Vicats achetant une poivri\u00e8re de luxe | Eric Bourdon<\/title>\n<meta name=\"description\" content=\""William Vicats achetant \u00e0 bon prix une poivri\u00e8re de luxe en ciment n\u00e9palais", une nouvelle peinture 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