{"id":8376,"date":"2017-08-21T09:11:14","date_gmt":"2017-08-21T08:11:14","guid":{"rendered":"https:\/\/ericbourdon.fr\/art\/?p=8376"},"modified":"2022-08-27T17:53:31","modified_gmt":"2022-08-27T16:53:31","slug":"aquarelle-lievre-durer","status":"publish","type":"post","link":"https:\/\/ericbourdon.fr\/art\/2017\/08\/21\/aquarelle-lievre-durer\/","title":{"rendered":"Aquarelle “Le Li\u00e8vre” par D\u00fcrer"},"content":{"rendered":"

     C’est probablement le li\u00e8vre le plus connu de l’histoire de la peinture. L’aquarelle sur papier “Le Li\u00e8vre” a \u00e9t\u00e9 r\u00e9alis\u00e9e en 1502 par l’artiste allemand Albrecht D\u00fcrer. Puis copi\u00e9, adapt\u00e9, imit\u00e9 (signature de l’artiste comprise)… Sur le blog d’Eric Bourdon<\/a>, les trucs \u00e0 savoir sur une aquarelle qui ne ressemble \u00e0 aucune autre…<\/em><\/p>\n

\"aquarelle<\/div>\n

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<\/p>\n

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     On a surtout l’habitude, \u00e0 l’\u00e9poque, de ne voir les animaux que comme des accessoires, comme les \u00e9l\u00e9ments d’un tableau. Mais D\u00fcrer ne leur fait pas jouer qu’un r\u00f4le symbolique. Le li\u00e8vre est ici le seul sujet de sa peinture. Le peintre n’a d’autre but que de le rendre le plus r\u00e9aliste possible, au point de lui donner presque la vie, de faire ressortir son \u00e2me… Tout en accord avec l’esprit de la Renaissance.<\/p>\n

     Pour cela, D\u00fcrer a combin\u00e9 la technique de l’aquarelle, peinture \u00e0 l’eau transparente qui fonctionne par superpositions de couleurs dilu\u00e9es (tr\u00e8s utile lorsqu’on d\u00e9sire obtenir un v\u00e9ritable fondu des teintes), \u00e0 celle de la gouache, une peinture \u00e0 l’eau \u00e9galement mais opaque, qui permet \u00e0 l’artiste maniant un pinceau fin d’atteindre une tr\u00e8s grande pr\u00e9cision dans les d\u00e9tails. De cette fa\u00e7on, il est parvenu \u00e0 rendre le moelleux de la fourrure, que l’observateur ext\u00e9rieur croit pouvoir presque toucher.<\/p>\n

     De l’\u0153uvre d’Albrecht D\u00fcrer (1471-1528), seule une petite centaine d’aquarelles nous sont parvenues. Il est l’auteur de \u00ab la premi\u00e8re aquarelle qui, dans l’histoire de l’art, est le premier paysage en couleur qui repr\u00e9sente exactement un lieu pr\u00e9cis \u00bb d’apr\u00e8s Friederich Piel (Albrecht D\u00fcrer. Aquarelle und Zeichnungen,<\/em> Cologne, 1983).<\/p>\n

     Les aquarelles de D\u00fcrer, contrairement \u00e0 ses commandes, le laissaient s’exprimer librement, et r\u00e9aliser l’id\u00e9e qu’il se faisait de son art et de sa technique : “Ce qu\u2019est la beaut\u00e9, je l\u2019ignore. L’art v\u00e9ritable est dans la nature ; qui sait l’en extraire, le poss\u00e8de.”<\/p>\n

 <\/p>\n

Consulter la fiche Wikipedia<\/a> sur D\u00fcrer, et une page enti\u00e8re<\/a> consacr\u00e9e \u00e0 l’aquarelle “Le Li\u00e8vre”.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

     C’est probablement le li\u00e8vre le plus connu de l’histoire de la peinture. L’aquarelle sur papier “Le Li\u00e8vre” a \u00e9t\u00e9 r\u00e9alis\u00e9e en 1502 par l’artiste allemand Albrecht D\u00fcrer. Puis copi\u00e9, adapt\u00e9, imit\u00e9 (signature de l’artiste comprise)… Sur le blog d’Eric Bourdon, les trucs \u00e0 savoir sur une aquarelle qui ne ressemble \u00e0 aucune autre…  <\/p>\n","protected":false},"author":67,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[146,275,18],"tags":[],"class_list":["post-8376","post","type-post","status-publish","format-standard","hentry","category-analyses","category-aquarelle","category-peinture"],"yoast_head":"\nAquarelle "Le Li\u00e8vre" par D\u00fcrer | Eric Bourdon<\/title>\n<meta name=\"description\" content=\"L'aquarelle "Le Li\u00e8vre" d'Albrecht D\u00fcrer, sur le blog d'Eric Bourdon. 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